Monty Python and the Holy Grail, SpongeBob Squarepants Sponge On The Run and The Wizard of Oz are the last movies I remember seeing. Id love to rewatch Python and Oz, but Sponge On The Run was really not that interesting.
I have watched a lot of movies during the summer, so here are some of my thoughts about them.
I will admit that I didn't see Disney's Raya and the Last Dragon in theaters (because I am still afraid to go back into movie theaters with the pandemic still ongoing) or watched it through Disney+ Premier Access (as it was too expensive for me, and I waited until the film's premier access was over so I can watch it without having to pay an extra $29.99 to watch it), but I thought it was a fantastic film full of heart, humor, and action. I loved the film's excellent cultural representation of Southeast Asia, and I believe that the animators captured its beauty and glory even if the film is set in a fantasy version of the area.
While the film's story isn't all that special, Raya and the Last Dragon succeeds in making a believable world where the central conflict arises from restoring peace between the lands, an empowering female lead in Raya who is not like an invincible superhero that wins all of her fights easily, and the excellently casted voice actors. I especially enjoyed the titular last dragon Sisu's clever jokes that lightens the mood of several scenes that's she is in, and the heartfelt messages about community and peace.
Bottom line, this film is worth a watch.
I watched Disney and Pixar's Luca on Disney+ and I will say that it is an absolutely adorable movie about two sea monsters named Luca and Alberto who have fun in a Italian riverside town for the summer. Along the way, they try to hide their secret from the people in town by trying to avoid touching or landing in the water or getting splashed by it, as well as trying to avoid Luca's parents along the way. I love that how while Luca may seem at first glance to be a typical "fish out of water" story, it can also be read as an story of longing for acceptance for who you truly are as a person and from your parents.
The animation gorgeously captures Italy in a way that made me actually want to spend a summer vacation there, the music is excellent, the voice cast was well-chosen and deliver great performances, and what more can I say about this film that makes it worth rewatching during a summer break.
Bottom line, this film is definitely worth a watch if you are looking for a sweet, family-friendly movie to watch during the summer.
Despite the frustrations of normal day life we go through, the best thing to do about it is still being happy for our friends and family.
Here is a movie I wanted to see for a very long time, ever since it was mentioned in a magazine I was subscribed to when I was a kid. Ah, the early 90s.
Plot: Bernie LaPlante is a cynical low-life crook who accidentally finds himself saving people from a plane crash. But another guy takes credit and becomes a hero to the nation... but what makes someone a hero?
Quite a pleasant fun film with likeable characters with actors who give good performances. Hoffman does a likeable fun antihero and the pilot also dabbles into nice news media satire. Also, it has that lovely late 80s-early 90s movie feel that I like.
I don't watch all too many movies honestly, I'm having trouble remembering which one I saw last! for first-time watching, Turning Red I think? that was a really good movie, 9/10 probably one of my favorite Pixar movies (tho nothing has topped Ratatouille and Wall-e yet), would happily rewatch.
Post by forlornjackalope on Jun 9, 2022 2:02:17 GMT
A few nights ago I had a double feature of Pi (1998) and Tetsuo the Iron Man (1989) since I haven't seen them in so long and I had forgotten how much I loved them.
Pi is absolutely brilliant and without it, we wouldn't have gotten Requiem for a Dream; especially since Ellen Burstyn (Sara Goldfarb) initially refused to be in the film after reading the script - but she ultimately changed her mind after seeing Pi. When I first saw it as a teenager, I loved the gritty, industrial and disjointed feel of it. I wouldn't see anything quite like it until Tetsuo or Eraserhead; both of which is very clear that Aronofsky drew from as a source of inspiration - as they contain elements of the Japanese cyberpunk scene (with Eraserhead being a proto influence to the subgenre itself). He brilliantly captured the paranoia of the technological world and it's easy to sympathize with Max as he's hurled down the rabbit hole of both his own making and one he drags others down with him in.
I had mentioned this on my blog a few days ago that I wasn't a good idea or not to revisit it after 10+ years. On one hand, it was worth the watch because it reminded me what made me fall in love with independent film making in the first place and how it left a deep impression me and the style I long to chase. On the other, I was initially worried it would set something off in me. Much like Max, I've been dealing with my own inner turmoil for the last few months; coupled with profound anxiety, paranoia, and bouts of psychosis. I suppose that's why, upon rewatching, I found a deeper sense of understanding and shelter with Max in a world full of people like Sol who try to break him out of what he's falling into verses those like Lenny Meyer and Marcy Dawson who have their own ulterior motives and personal interests in mind. It's haunting, horrifying, and powerful.
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Tetsuo is hard to wrap your head around on the first go through, and I'd be impressed if someone caught everything upon their first watch. There's a lot of jumping around, which can make for a heavy, violent ride with tons of whiplash because you don't know just where it's going to take you next. Much like Pi, the film, from what reviews say, discusses paranoia in the technological and digital age where we're becoming one with it. Recent analyses of the film have pointed out that there's a fair amount of queer subtext in the film, primarily that on gay or queer repression and desire. Returning to the film after the same amount of time as Pi with this in mind made it an entirely new experience. In a similar fashion to Eraserhead, there's not a ton of dialogue to follow, and the story mostly tells itself from a visual standpoint - and trust me, it's a lot. It's an absolute powerhouse in that regard for being relatively low budget. If you have a knack for body horror or underground cinema, absolutely consider checking this one out. Even if you can't make heads of tails as to what you saw by the end, I'm sure you'd be hard pressed to say it wasn't visually impressive.
Spiderman: No Way Home: Hypest moment of the year. Actually very well written, fantastic characters, phenomenal acting. This movie felt like an event. Even if you arent into spider man id reccomend it.
The Batman: This one is something else. The story is kinda generic, but the dark, gritty vibe of the movie is what makes it. You cant see anything but you can see EVERYTHING. Paced perfectly as well, didnt feel like 3 hours at all.
Sonic 2: Pretty good movie. It's not amazing, especially if you arent a sonic fan, but if you are, it's a nice watch, if kinda bland. The post credit scene was awesome, though.
Bobs Burgers Movie: Great movie for bobs burgers fans, and bobs burgers fans only. This bombed but it makes sense, if you arent into bobs burgers, youre missing nothing.
Post by forlornjackalope on Jun 21, 2022 23:23:12 GMT
I finally got around to seeing Brazil after years of hearing about it and more recently, a friend checking it out and having it as her new favorite movie (being a fan of Terry Gilliam). I'm all here for pitch black comedic, satirical films, so why not.
I haven't had such an overwhelming reaction to a film in a very long time, hitting me in this most viscerally raw way possible. I was in awe by it with my first watch and I fell in love with it on my second (since I had a 48hr rental). There's so many words you could use to describe the film and how it tackles bureaucracy and paranoia in an Orwellean dystopia. The reviews you'll come across on Letterboxd could explain it in a more intellectual and eloquent way than I ever could, but at the core of it, it's one of those movies you have to see for yourself to understand and appreciate it; much like how people talk about other high profile films like Requiem for a Dream or Man Bites Dog (or even notoriously bad films like The Room and Birdemic). It's a beautiful, breathtaking, fantastical nightmare in every sense of the word. The longer I sit with it, the more it grows on me and I resonate with not only Sam Lowry, but also the supporting characters of Harry Tuttle and Jill Layton - even morally ambiguous figures like Jack Lint, whom, when you see in-depth reviews analyzing the film, show the different brushstrokes to the world that Gilliam (and company) created and that it's not entirely black and white. Plus, the soundtrack provided by Michael Kamen is just beautiful. You'll find it hard to not hum along to the variations of the song the film is named after after a while.
If you haven't seen it, consider giving it a watch some time. It's very rare for me to find a movie that resonates with me on such a deep level, let alone finding its way to becoming one of my new all-time favorites. It's available to rent on YouTube, but is also on other streaming platforms as well. And yes, this can be considered a Christmas film, so add it to your watchlist alongside Die Hard.
I recently watched the 2016 Blair Witch, and I honestly just feel awkward because I feel like I watched what was a worse version of a better movie.
I always found the original immensely overrated and not scary at all, all that movie did was give me a headache and bore me. I honestly liked Blair Witch 2 better as it had better characters and a more interesting plot(and didn't give me a migraine so that's definitely a plus).
i dont see a lot movies to begin, let alone this year but i saw this documentary about the culture of ska and the conflict between skinheads racist and anti racist. its an interesting and great documentary that shines light on skinheads and punk culture and their relationship with ska.