Since the majority of the Lost or Found Media in the archive are only available either via BitTorrent or bootleg recordings, I would want to see someone of this archive to form what I would call a "De-Instituted Film Restoration Project"?
Post by wadmodderpudu on Dec 17, 2018 23:32:50 GMT
Basically, recreate & restore films only available in the form of low quality & inferior bootleg copies frame-by-frame similar to Harmy's Despecialized Editions of the original Star Wars films that recreates the original theatrical versions of these films.
Last Edit: Dec 19, 2018 4:13:48 GMT by wadmodderpudu
Keep in mind that Harmy's took years to make and perfect, and that they had a large variety of decent-to-high quality sources to work with. It's a lot less feasible to adequately restore something that only exists in a low-quality web rip sourced from VHS, especially when we have tons of stuff found and there's no way to do all of it. We do have users here that try to restore stuff that they can, such as Notelu and togemet2 (if he's still around somewhere), but with a lot of found media, there's only so much you can do.
That may be so, but Harmy's sources also included still frames and/or fragments from those films, so using still frame and/or fragments can also be classified as sources for high quality restorations.
That may be so, but Harmy's sources also included still frames and/or fragments from those films, so using still frame and/or fragments can also be classified as sources for high quality restorations.
Even still frames with text can be used - I'm thinking of the restored version of Metropolis here. However, it would be tricky to restore footage when we don't have the source footage. In many cases, the source footage is lost or completely inaccessible.
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Even still frames with text can be used - I'm thinking of the restored version of Metropolis here. However, it would be tricky to restore footage when we don't have the source footage. In many cases, the source footage is lost or completely inaccessible.
Most 19th-Century to Early 20th-Century Films exist only in flip book format (such is the case for the lost George Méliès film Arrival of a Train at Vincennes Station) but some or most, but not all modern films are bootlegged through camcorder rips of theatrical films from prints sent to many movie theaters, so those might count as sources for some lost films or lost cuts of films not available to the public.
Last Edit: Feb 18, 2019 3:15:00 GMT by wadmodderpudu
Even still frames with text can be used - I'm thinking of the restored version of Metropolis here. However, it would be tricky to restore footage when we don't have the source footage. In many cases, the source footage is lost or completely inaccessible.
Most 19th-Century to Early 20th-Century Films exist only in flip book format (such is the case for the lost George Méliès film Arrival of a Train at Vincennes Station) but some or most, but not all modern films are bootlegged through camcorder rips of theatrical films from prints sent to many movie theaters, so those might count as sources for some lost films or lost cuts of films not available to the public.
Good to know!
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Post by wadmodderpudu on Mar 23, 2019 17:27:41 GMT
Most Workprints of films leaked back in the day are available on the internet, but many Workprints for films released earlier before the dawn of the internet age are hard to come by (except some Workprint versions of Apocalypse Now) so many of them that will appear online is very intensely slim.